河北大学学报(哲学社会科学版) ›› 2021, Vol. 46 ›› Issue (3): 11-17.DOI: 10.3969/j.issn.1005-6378.2021.03.002

• 哲学研究 • 上一篇    下一篇

宋元山水画“平远”图式的美学意蕴

刘桂荣1,王肖南2   

  1. 1.河北大学 艺术学院, 河北 保定 071002;
    2.河北大学 哲学与社会学学院, 河北 保定 071002
  • 收稿日期:2020-11-05 出版日期:2021-06-18 发布日期:2021-06-18
  • 作者简介:刘桂荣(1972—),女,河北高碑店人,博士,河北大学艺术学院教授、博士生导师,主要研究方向:艺术学、美学理论,中国艺术美学。
  • 基金资助:
    国家社会科学基金重大项目“美学与艺术学关键词研究”(17DA017);国家社会科学基金后期资助项目“宋代艺术哲学思想研究”(17FZX007)

Aesthetic Implication of “Ping Yuan” Schema in Song and Yuan Dynasties Landscape Paintings

LIU Guirong1,WANG Xiaonan2   

  1. 1.College of Art, Hebei University, Baoding, Hebei 071002; 2.College of Philosophy and Sociology, Hebei University, Baoding, Hebei 071002, China
  • Received:2020-11-05 Online:2021-06-18 Published:2021-06-18

摘要: “平远”观念由北宋郭熙提出并得到当时文人的接受和倡扬,进而宋元山水画的图式结构由宋前期的“高远”“深远”而转向了“平远”。“平远”图式呈现为视觉、虚实和时空图式,从而使其观照方式生成为静观、游观和妙悟的特质;这种图式特征建构了平远山水的“意外之趣”和“平淡之境”,彰显出超越逍遥、平宁淡泊之生命境界,同时,此图式结构亦衍生为一种“文化记忆”,支撑并活络在文化生命里。

关键词: 平远, 图式, 观照, 平淡

Abstract: “Ping Yuan” concept was brought up by Guo Xi in Northern Song Dynasty and accepted with advocacy by literates at that time.Then the schema structure in Song and Yuan Dynasties Landscape Paintings changed from“lofty” and “far-reaching” in early Song Dynasty to“Ping Yuan”.“Ping Yuan” schema has the characteristics of vision,virtual reality and space-time,which construct the “unexpected interest”and“plain state”of Ping Yuan Landscape,and highlights the transcending carefree,peaceful and indifferent life realm.At the same time,this schema structure also derives into a kind of“cultural memory”,which supports and enlivens the cultural life.

Key words: Ping Yuan, schema, reflection, plain

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