河北大学学报(哲学社会科学版) ›› 2019, Vol. 44 ›› Issue (5): 110-114.DOI: 10.3969/j.issn.1005-6378.2019.05.016

• 管理学研究 • 上一篇    下一篇

中国新主流消费人群偏好品牌的创新设计——以诚品书店和故宫文创为例

王佳1,杨鼎寓2   

  1. 1.首都师范大学 美术学院, 北京 100048;
    2.波士顿大学 大都会学院, 马萨诸塞州 波士顿 02215
  • 收稿日期:2019-04-12 出版日期:2019-09-25 发布日期:2019-09-25
  • 作者简介:王佳(1982—),女,黑龙江绥化人,博士,首都师范大学美术学院副教授,主要研究方向:视觉传达设计。
  • 基金资助:
    北京市教育委员会社科计划一般项目“基于互联网思维的创意产品设计及信息化传播方式研究”(SM201710028012);北京市属高校高水平教师队伍建设—青年拔尖人才培育计划(CIT&TCD201704081)

Innovative Design of Chinese New Mainstream Consumers Preference for Brands —— Taking Chengpin Bookstore and the Cultural Creation of Forbidden City as Examples

WANG Jia1,YANG Ding-yu2   

  1. 1.College of Fine Arts, Capital Normal University, Beijing 100048, China; 2.Metropolitan College, Boston University, Boston, Mass 02215, the United States
  • Received:2019-04-12 Online:2019-09-25 Published:2019-09-25

摘要: 普遍性的品牌价值增长时代即将结束,中国新主流消费群体已成为未来最大的增量消费群体。新老企业的品牌创新设计应充分考虑未来主流消费群体的需求,为成功转型升级的企业做好品牌战略定位。研究发现,基于中国新主流消费人群偏好的品牌形象设计具有一定的共性特征。通过消费认同理论中的自我认同和社会认同,对两个当下深受新主流消费人群喜好的案例品牌属性进行分析。在消费认同理论中,分别找到品牌定位、产品与空间、服务与推广三大品牌设计项目中的对应属性。探讨了品牌设计在受众的自我认同和社会认同两方面的迎合策略,得到了品牌设计策略可参照的设计规律。

关键词: 新主流消费人群, 消费偏好, 消费认同, 品牌创新

Abstract: At present, the era of universal brand value growth is coming to an end. Chinas new mainstream consumer group has become the largest incremental consumer group. The brand innovation design of new and old enterprises should fully consider the needs of the mainstream consumer groups in the future, and do a good job in brand strategy positioning for successful transformation and upgrading enterprises. It is found that the brand image design based on the preferences of the new mainstream consumers in China has some common characteristics. Through the self-identity and social identity in the theory of consumer identity, this paper analyses the brand attributes of two cases which are deeply favored by the new mainstream consumers. In the theory of consumer identity, the corresponding attributes of brand positioning, product and space, service and promotion are found respectively. This paper explores the catering strategies of brand design in the two aspects of audiences self-identity and social identity, and obtains the design rules that brand design strategies can refer to.

Key words: new mainstream consumers, consumption preference, consumption identity, brand innovation

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