河北大学学报(哲学社会科学版) ›› 2019, Vol. 44 ›› Issue (5): 16-22.DOI: 10.3969/j.issn.1005-6378.2019.05.003

• 文学研究 • 上一篇    下一篇

王西彦《春回地暖》何以被当代文学史冷落

阎浩岗1,王海艳2   

  1. 1.河北大学 文学院, 河北 保定 071002;
    2.河北大学 国际交流与教育学院, 河北 保定 071002
  • 收稿日期:2018-11-20 出版日期:2019-09-25 发布日期:2019-09-25
  • 作者简介:阎浩岗(1963—),男,河北吴桥人,河北大学文学院教授、博士生导师,主要研究方向:中国现当代小说。
  • 基金资助:
    国家社会科学基金项目“20世纪中国土地革命叙事研究”阶段性成果(15BZW146)

Why is Wang Xiyans When Spring Returns, the Earth Warms Up Neglected by Chinese Contemporary Literature Studies

YAN Hao-gang1, WANG Hai-yan2   

  1. 1. College of Literature, Hebei University, Baoding, Hebei 071002; 2. College of International Exchange and Education, Hebei University, Baoding, Hebei 071002, China
  • Received:2018-11-20 Online:2019-09-25 Published:2019-09-25

摘要: 王西彦的《春回地暖》是作者平生篇幅最长的一部作品,也是中国现当代文学史上篇幅最长的土改题材小说,创作时间历时12年。这样一部倾力之作却并未被当代文学史重视。除了题材原因,它的被冷落还与其写法有关:它虽然也写了尖锐激烈的阶级斗争,却并未将故事传奇化,难以像“红色经典”那样以情节吸引读者;它没有塑造高大完美的人物形象,又难使当时的批评家满意。这两种因素导致该作没有产生“红色经典”那种广泛的影响。在新时期语境中,作者为“政治正确”而采取的保护性修辞又使其被新的研究者忽略。由于作者信奉现实主义创作原则,虽然作品竭力向“典范土地革命叙事”靠拢,却显示出诸多“非典范”特征,这使其具备了一定的内涵复杂性和更多的艺术真实性,值得研究者注意。

关键词: 王西彦, 《春回地暖》, 土改书写, 文学史评价

Abstract: Wang Xiyans When Spring Returns, the Earth Warms Up is the longest piece of work in the authors whole life. It is also the longest novel about the land reform in the history of Chinese modern and contemporary literature, which took Wang Xiyan 12 years to finish it. The reasons why such a piece of work with a lot of effort has not been valued by Chinese contemporary literature studies are as follows, in addition to the theme, this neglegence is also related to its writing skills: although it also paid much attention to the sharp and intense class struggle, it did not make the story legendary, so it is difficult to attract readers attention with the fancy plots which were found in the “red classic works”; it is also hard to satisfy the critics at that time for failing to create the perfect character images. These two factors lead to the result that this novel did not generate the extensive influence just like the “red classic works”. In the context of the new era, the authors protective rhetoric for “political correctness” has been neglected by new researchers. Because the author believes in the principle of realism for creation, although the work strives to move closer to the “exemplary revolutionary narrative”, it shows many ‘non-exemplary” characteristics, which makes it with certain complexity and more artistic authenticity. At this point, it is worth studying.

Key words: Wang Xiyan

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