河北大学学报(哲学社会科学版) ›› 2024, Vol. 49 ›› Issue (3): 13-24.DOI: 10.3969/j.issn.1005-6378.2024.03.002

• 宋史研究 • 上一篇    

宋元时期墓室壁画“六鹤图”考论

邵军,王怀志   

  1. 中国传媒大学 美术系, 北京 100024
  • 收稿日期:2024-03-10 发布日期:2024-06-13
  • 作者简介:邵军(1973—),男,湖北天门人,中国传媒大学美术系教授、博士生导师,主要研究方向:中国美术史、佛教美术及美术传播。 王怀志(1989—),男,河北景县人,中国传媒大学美术学专业博士研究生,主要研究方向:中国美术史。
  • 基金资助:
    国家社会科学基金艺术学项目“宋夏美术交流与中原风格的传播”(18BF091)

A Study on “Six Cranes Painting” in Tomb Murals of Song and Yuan Dynasties

SHAO Jun,WANG Huaizhi   

  1. Department of Fine Arts, Communication University of China, Beijing 10024, China
  • Received:2024-03-10 Published:2024-06-13

摘要: 宋元时期几处墓葬中所遗存的屏风鹤画,是以唐薛稷“屏风六扇鹤样”为祖源,主要传写五代黄筌“六鹤图”而成的。墓葬中鹤画的丰富反映了宋元时期“六鹤图”的流变脉络。宋元时期墓葬中鹤画的流行以及各种“六鹤图”的绘制,是重道修道时代风气和丧葬观念影响的产物。在墓室壁画中,“六鹤图”被视为一种祥瑞及胎仙,通过屏风鹤画及相关空间营构,寄寓了宋元社会世人升仙重生的思想观念。

关键词: 六鹤图, 屏风六扇鹤样, 墓室壁画, 瑞鸟仙禽

Abstract: The screen crane paintings left in several tombs in the Song and Yuan Dynasties were originated from the “screen crane painting with six fans”by Tang Xueji,mainly depicting the “six crane painting”of Huang Quan during the Five Dynasties period.The richness of crane paintings in tombs reflects the evolution of the“six crane painting”during the Song and Yuan dynasties.The popularity of crane paintings in tombs during the Song and Yuan dynasties,as well as the creation of various “six crane paintings”,are products of the influence of the culture and funeral concepts of the era of emphasizing Taoism.In the murals of the tomb chamber,the “six crane painting”is regarded as a kind of auspiciousness and birth of immortals.Through the screen crane painting and related spatial construction,it embodies the tomb owners idea of ascending to immortality and rebirth.

Key words: six cranes painting, screen crane painting with six fans, tomb murals, fairy birds

中图分类号: