河北大学学报(哲学社会科学版) ›› 2024, Vol. 49 ›› Issue (2): 67-72.DOI: 10.3969/j.issn.1005-6378.2024.02.007

• 哲学研究 • 上一篇    

意象与世界——叶朗“美在意象”论的两个会通

肖鹰   

  1. 北京大学 美学与美育研究中心, 北京 100875
  • 收稿日期:2023-10-19 发布日期:2024-04-09
  • 作者简介:肖鹰(1962—),男,四川威远人,博士,清华大学哲学系教授,北京大学美学与美育研究中心研究员、博士生导师,主要研究方向:美学、中西艺术及文化批评。

Imagery and the World:Two Convergences of Ye Langs “Beauty in Imagery” Theory

XIAO Ying   

  1. Center for Aesthetics and Aesthetic Education, Peking University, Beijing 100875, China
  • Received:2023-10-19 Published:2024-04-09

摘要: “美在意象”是叶朗先生在21世纪初提出的美学命题,这个命题不仅是对“美是什么”这个美学原理的核心问题的回答,而且也是对中国美学传统精神的历史提炼和对西方现代美学思想的国际对话。作为“生存论上的复归观念”,“美在意象”命题不仅打通了现代西方美学与中国传统美学在存在精神层面的对话,而且也充实、明朗了审美活动作为人生境界提升的人文价值。

关键词: 中国美学, 西方美学, 意象论

Abstract: “Beauty in imagery” is an aesthetic proposition proposed by Mr.Ye Lang in the early 21st century.This proposition is not only an answer to the core question of “what beauty is”,but also a historical refinement of the traditional spirit of Chinese aesthetics and an international dialogue with Western modern aesthetic thoughts.As “a concept of restoration in the theory of survival”,the proposition of “beauty in imagery” not only connects the dialogue between modern Western aesthetics and traditional Chinese aesthetics on the spiritual level of existence,but also enriches and clarifies the humanistic value of aesthetic activities as a way to enhance ones life realm.

Key words: Chinese aesthetics, Western aesthetics, imagism

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