河北大学学报(哲学社会科学版) ›› 2023, Vol. 48 ›› Issue (4): 55-62.DOI: 10.3969/j.issn.1005-6378.2023.04.007

• 文学研究 • 上一篇    下一篇

范畴史视野下的“高古”诗歌美学——论元初郝经儒学化审美旨蕴的一种拓展

侯文宜   

  1. 山西大学 文学院, 山西 太原 030006
  • 收稿日期:2023-03-20 出版日期:2023-07-25 发布日期:2023-09-18
  • 作者简介:侯文宜(1960—),女,山西宁武人,博士,山西大学文学院教授、博士生导师,主要研究方向:美学与中国文论。
  • 基金资助:
    国家社会科学基金项目“宋元理学视域下的郝氏家学与郝经诗文理论研究”(17BZW045)

“Sublime and Ancient” Poetry Aesthetics from the Perspective of Category History ——On an Extension of the Aesthetic Connotation of Confucianism of Hao Jing in the Early Yuan Dynasty

HOU Wenyi   

  1. School of Chinese Language and Literature, Shanxi University, Taiyuan, Shanxi 030006, China
  • Received:2023-03-20 Online:2023-07-25 Published:2023-09-18

摘要: “高古”是中国诗学和美学史上的一个重要范畴,其范围涵盖诗书画诸多领域,且使用频率极高。然在不同时期、不同语境下,“高古”范畴的内涵所指或语义不尽相同,甚至有较大差异。在范畴史视野下考察“高古”诗歌美学,可发现金元之际的郝经与晚唐司空图及南宋严羽均不相同,后者具有明显的佛道色彩,而郝经则凸显元初儒学复兴之下的经义之旨,也即与《诗经》“风雅”精神存在伴生关系。

关键词: 范畴史, 高古, 诗歌美学, 郝经, 儒学化拓展

Abstract: “Sublime and Ancient” is an important category in the history of Chinese poetry and aesthetics,covering many fields such as poetry,calligraphy,and painting,and its frequency of use is extremely high.However,in different periods and contexts,the connotation or discourse semantics of the category of “Sublime and Ancient” may vary,and there may even be significant differences.From the perspective of category history,when examining the aesthetics of “Sublime and Ancient” poetry,it can be found that the Hao Jing during the Jin and Yuan dynasties was different from the late Tang Dynastys Sikong Tu and the Southern Song Dynasty’s Yan Yu.The latter had a clear tendency towards Buddhism and Taoism,while Hao Jing highlighted the essence of the classics under the revival of Confucianism in the early Yuan Dynasty,which was associated with the “elegant” spirit of The Book of Songs.

Key words: category history, Sublime and Ancient, poetry aesthetics, Hao Jing, Confucian extension

中图分类号: