Abstract: In the history of Chinese Ci Fu and painting,the former and later Chibi Fu created by Su shi occupies a very important position.Its influence on the later generations has resulted in a large number of imitative works of Ci Fu text and image text,which is the most in the number of historical works of drawing and Fu.“Chibi” as the “motif” of Fu and picture,the image and language image of its imitated works are different and the same,which is decided by the different perspective of reading Fu and picture,because the common point of image reproduction of language image lies in the display of object image,and the difference lies in the difference of time and space,among which the choice and need of the author naturally becomes a focus of art history.From the perspective of painting history,this marks the maturity of literati painting and landscape painting.From the perspective of the history of Ci Fu,it also shows the change of literati Fu from writing things to freehand brushwork.The convergence between them is exactly the significance of the painting of “Chibi”.By tracing and creating the situation of “Chibi” with Fu and painting,we can explore the similarities and differences between Fu and painting and their writing significance.

Key words: Chibi, the image description of Fu style literature, freehand brushwork, simulation, civilianization